Tuesday, 7 January 2014

FROZEN - A Review By Philip Josse



Frozen is a 2013 computer animated epic musical fantasy film produced and distributed by Walt Disney Studios. The film is a loose adaptation of The Snow Queen, a classic fairy tale by Hans Christian Anderson. The concept has been in the pipeline since the 1940’s, and was even pondered by Walt Disney himself, before being dropped due to story problems. The film was directed by Jennifer Lee and Chris Buck, and is notable for being the first Disney film ever to be helmed by a woman (how is this possible?). The film features two sisters, one of whom has the power to create ice with her hands. This power frightens her, and she hides away from the whole world, including her sister.

Frozen uses largely the same format as Tangled, and indeed the film was only greenlit after the success of Tangled at the box office. The animation style is fairly comparable and the characters are animated in a near identical style. The film uses large epic vistas, and is the first Disney film to be made using ultra-widescreen since Sleeping Beauty, this enhances the animation and gives the film epic scope. The film is incredibly beautiful, and the animation is enhanced by 3D, giving the film a tactile painterly feel. The 3D is particularly well handled and the snowflakes really do seem to fall from the heavens, I am not the largest fan of 3D and I feel that it is often superfluous, however animated films of often work quite well in 3D, and frozen is no exception, and I was glad to have seen it in this format.

Frozen is also unique in its setting, in that it is the first Disney film to be set in Scandinavia, and the first to have a particularly continental feel. Let me elaborate, other Disney films, despite being nominally set in a certain country, have no real character and could be set anywhere. Tangled is nominally set in Germany, Beauty and the Beast and sleeping beauty in France. Frozen belongs to another group, like The Princess and the Frog and Aladdin, Frozen is grounded, and is set in a defined place, the wooden architecture with the steep gables and Fjords remind one of the ancient architecture of Norway, and covered in snow it is simply stunning. I feel that setting the film in a defined culture is highly beneficial to this film, as it differentiates it from other Disney films, and stops it becoming bland. The characters, though not designed with particularly Scandinavian features, are dressed is a style similar to that of traditional Scandinavian dress, with the patterns and silhouettes being slightly modernized. The costume design of the film is fantastic, with Anna’s coronation dress and Elsa’s ice dress being standouts. The clothes have a tactile quality, and they feel real, despite being animated.

The story differs somewhat from the original fairy tale, and like Tangled, it retains the setting, concept and some of the characters of the original story, but features a new plot. Frozen was canned multiple times since the 1940’s largely due to the plot, the filmmakers struggled to find a link between the Snow Queen and Anna, and struggled to find a way to connect the characters and explain The Queen’s cursing of Anna, in Frozen this issue is ironed out with the characters becoming sisters, and the Snow Queen being rewritten as a protagonist, this creates an important connection between the two women, and means that her action are out of fear rather than antagonism, and that in order to save Arendelle, Anna must melt the ice around her sisters heart and allow her to love again. The film is also notable in its depiction of love which differs from other Disney films, whereas love in other films being between a woman and her suitor, being able to conquer evil, in Frozen, the love between two sisters is shown as being the vanquishing force, and it is only after Elsa learns to love her sister that she can control her powers

The film features some pretty spectacular voice talent, Idina Menzel stars as Elsa and Kristen Bell as Anna. Jonathon Groff stars as Kristoff, a rugged mountain man and wanderer. The film is a musical in the style of traditional Disney musicals, and the songs are fantastic. The film uses new Disney collaborators Robert and Kristen Anderson Lopez as songwriters, and the music is lyrical, catchy and melodic. Overall despite the films setting, the music never strays far from traditional musical theatre, the only exception is the first song, a chorus with a fairly traditional feel and Nordic sound, and which is in some ways reminiscent of the dwarfs’ song in Snow White. The highlights of the film include Let it Go, an emotional powerhouse sung by Idina Menzel and a sure winner for the academy award for best original song, and Who Wants to Build a Snowman, a song accompanied by a montage showing the two sisters growing apart as they grow and change.
Frozen represents a huge return to form for Walt Disney Animation, and is currently the high point of the Disney Revival period, in my mind even topping Tangled, one of my favorite Disney films of all time. Epic beautiful animation, great music and fascinating complex characters make this film a modern, instant classic that will surely endure for years to come. Rating: A+


Elsa: The cold never bothered me anyway.


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