Wednesday, 16 April 2014

J'ai Tué Ma Mère



I killed my mother is a french language canadian film, released in 2009 directed by canadien filmmaker, writer and actor Xavier Dolan. I admittedly considered writing this review in French, but considering that most of my audience is english speaking, and that the Canadian accent left me glued to the subtitles, I decided to stick to my native tongue. The film is about a young 17 year old, living with his mother in Montreal. His parents are divorced, and he never sees his father. His relationship with his mother is not good, and when he is asked to fill in a survey about his parents, he tells the teacher that his mother is dead. Following this he is inspired to write an essay about his relationship with his mother called “j’ai tué ma mere”.

The film was written, directed and shot by Dolan, on a shoestring budget of only $800 000, and what is even more shocking is the fact that Dolan was only 19 at the time. For someone so young, Dolan handles the film with a sureness and a subtlety of someone years his senior, and despite being made for such a low price, and being a directorial debut, the film looks highly professional. The film can be described as belonging to the new queer cinema movement, a group of films written by gay writers and directed by gay directors, but which are not really about being gay at all. Despite being gay himself and clearly being a gay filmmaker, Dolan doesn’t let that define him. The main focus of this film is the relationship between Hubert and his mother.

In many ways the film deals with the logical reasons why we should or shouldn’t like/love our parents. Hubert says that he deeply loves his mother, and that if anyone hurt her he would kill them, but that doesn’t stop Hubert from being abusive to his mother, or from also hating her. What Dolan is essentially saying is that although he loves his mother, like we all love our parents, he doesn’t like her at all, and that the love he feels for her is a convention, rather than a true feeling. The film deals with the reasons why we are often unable to connect with our parents, why we often feel misunderstood or disconnected, and why as teenagers we act out and start defying our parents.

It is important to note that Hubert’s mother, despite doing her best is simply not a good parent, she is selfish, insecure and unstable, and tries to understand her son exclusively on her terms rather than his. Xavier Dolan has stated that the film is at least partially autobiographical, and his mother’s inability to understand him or his sexuality is somewhat central to this film. One of the main reasons for the lack of function in their relationship is that his mother doesn’t know about Hubert’s sexuality. Hubert doesn’t make any real attempt to hide his sexuality, and throughout the film he has numerous affairs with different men, the fact that his mother doesn’t know about who he really is isn’t because he hasn’t told her, because in reality he shouldn’t have to, and she should be in sync enough to devine it for herself. The fact that she doesn’t know means that she is either lying to her son and to herself, or that she doesn’t really know her son, as is likely the case, she hasn’t ever tried to get to know her son, and she seems more interested in defending herself that she is in doing what is best for him.

The film is beautifully shot and fantastically acted, and was certainly an auspicious start for Xavier Dolan who at the tender age of 25, already has 4 feature films under his belt. What stands out in this film is the writing, and Dolan has created a fantastic and visceral story that the vast majority of gay youths can relate to. Rating: B+


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